Pianist and Conductor Vladimir Ashkenazy
Mr. Ashkenazy conducting the European Union Youth Orchestra at the BBC Proms, Royal Albert Hall, London, UK, 12th August 2006.
Photo credit: Pete Jones
Vladimir Ashkenazy is a classical music star who was born in the Stalinist era in the Soviet Union. He moved to London in the 1960s. Ashkenazy is a renowned chamber music performer and six-time Grammy award-winning pianist. He is also a veteran conductor and is touring the U.S. in April with the European Union Youth Orchestra. Vladimir Ashkenazy talks about his life, his career and his passion for classical music.
Guests
six-time Grammy award-winning pianist, renowned chamber music performer and veteran conductor of international orchestras, including the European Union Youth Orchestra.
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Program Highlights
Vladimir Ashkenazy was born in Russia, settled in London, became a citizen of Iceland, lives in Switzerland and is now principal conductor of the Sydney Symphony Orchestra. For more than a decade, the Grammy award-winning pianist also has directed the European Union Youth Orchestra. The group is now on tour in the United States.
Born In Stalinist Russia
Because Asnkenazy's talent as a pianist was discovered at a young age, he was able to study in the Central Music School of Moscow and then the conservatory, so he experienced some insulation from what the system in Russia was like at the time. "Everything was supported by the government so I had a very good musical education," he said. But he remembers the day Stalin died. Everything was absolutely silent in Moscow, he said. He asked his piano teacher, an Armenian, what would happen now that Stalin was dead. She whispered in his ear that everything would be better now.
Some Things "Impossible" To Play
Ashkenazy said it's hard to answer whether it was "easy" for him to learn piano, but because his hands aren't very large, he does find that some things are almost "impossible" for him to play. "For instance, Franz Liszt, the great pianist, had huge hands. For instance, Van Cliburn has big hands too and Richter, a great Russian pianist. Mine are small so some things I couldn't play," he said. Ashkenazy thought Tchaikovsky, in particular, would be very hard for him. But he did play Tchaikovsky's first piano concerto with great success. "I managed, but it was very difficult," he said.
Buying Music In The West
When Ashkenazy finally got to travel to the west, he bought many music albums he couldn't get at home, in Communist Russia. "I love music very much. In the Soviet Union, there weren't so many recordings of all the greatest world music and not so many scores to be bought. So when I came to the West, when I started traveling to the West, first to Belgium, then to West Germany, then to America, I brought suitcases full of LPs of course and scores, too. So I became an object of envy from many musicians in Moscow and they borrowed things from me," he said.
Still A Russian Citizen
Ashkenazy still considers himself a Russian citizen, although he came to settle in London and lives in Switzerland. "I'm born there. I got my musical education there. My mother was very Russian. My father was Jewish, my mother Russian. She christened me in the Russian Orthodox Church so I'm a Christian. And my country will always stay in me absolutely to the moment I die. But I benefited so much from being in the West, you can't imagine. No words will suffice to tell you how much," he said.
You can read the full transcript here.



Comments
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You have truly been one of my greatest inspirations. Even when I was four years old, I was listening to records of your Rachmaninoff concertos with my mom while pretending to play the piano. By the time I was in high school, I was listening and attempting to self teach masterpieces from Mussorgsky, Prokofiev, Rubenstein, and Glazunov. I fell in love with Russian classical and chamber music (Glinka!) and suddenly stumbled into Russian literature, and by college found myself studying for a Russian and eventually at a university in Siberia.
I, in particular, love Russian artists and musicians because I believe you are one culture that knows to its core what it means to learn and work for something with strict regulation and rules, and yet with passion. It is in this way some of the greatest artists came out of the soviet era. One of my favorite works is Ravel's Gaspard de La Nuit, a piece with strict rhythm followed by long flowing scales mirroring that of a harp. You play a piece like this so flawlessly, yet so freely, with so much passion and yet so much attention to detail.
How do you feel classical music and musical education has changed since you were in school?
I did not know he was still up and running. Was so joyous when I found his hands playing Pictures at an Exhibition on YouTube on Asiafin channel. So now, I cancel my appointments to stand by and hear. I am so grateful. I will figure out how to listen to on line. I will hear you again. This is a resurrection, truly, for me.
I was a piano tuner and technician in New York City, and I know how, of all instrumentalists, pianists depend on the care, usually provided by someone else, of a rather complicated instrument to make their music.
I would like Mr Ashkenazy to talk about the state of pianos in Russia when he was growing up, and if he could, to relate any interesting anecdotes of how he worked with various piano tuners to prepare his instruments.
Does he travel with a particular piano, the way Horowitz did?
I wouldn't be surprised to hear that he knows how to work on his own pianos.
Thank you! Mr Ashkenazy is one of my musical heroes.
Please ask him what advice he would give an aspiring pianist on his selection of a university level program. Key question would be is the school as important as the passion of the student.
Thank you.
It is a pleasure listening.
Can you please tell me again what the name of the piece that the EU Youth orchestra played? Thanks,
Thank you for asking my question.
I think you framed my question better. The answer he gave was perfect. I will share it with my son. Love the music and everything will fall in place. That is my take away!
All the best.
Jody
In the late nineteen-sixties, I had the extraordinary experience of hearing Mr. Ashkenazy perform the Beethoven fifth piano concerto ("Emperor") at [the then] Philharmonic Hall, Lincoln Center, NY City, with Leonard Bernstein conducting; needless to say, it was one that I shall never forget.
As for Mr. Ashkenazy's conducting, one of my favorite recordings of his is the 1998 set of the symphonies of the great Jean Sibelius (on Decca), although it represents but one peak amongst several tall mountains.
This is one of the best interviews I've ever heard on the Diane Rehm show. Great job Susan Page!
Mr. Ashkenazy - I am so inspired by your version of Piano Concerto #2 by Rachmaninoff. I have turned on many people to this, and the emotion in it brings tears to my eyes every time I listen to it. Thank you!
This is just awesome, not many people have accomplished this much in this line of music. How I hope that I get to see him perform live. That will be great...
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